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While most of these are a complete waste of time, there are some sequences that actually have a gameplay purpose. More on the man behind the mask.Īs mentioned earlier, there are moments in the game that involve controlling Peter Parker. It’s undeniably a lot of fun, but it did become somewhat samey quicker than anticipated. You can spend hours trying to figure out an optimal combo, or try to discover something in the heat of the moment. It’s astoundingly smooth and robust, sharing a similar concept to the Arkham series. This is a mechanic which allows Spider-Man to heal on the fly, or, once the Focus bar is full, execute a finishing move which immediately knocks out an opponent.Īltogether, the combat has a surprising amount of depth and complexity to it. Successfully chaining attacks together will fill up the Focus gauge. Intertwined with all of this is the combo system. For example, the trip mines come in handy whilst you are trying to be stealthy, and the Concussive Bombs are great as a diversion tool. These allow you to gain the upper hand in tricky or challenging situations. Leaning into Peter’s inventive nature, Spidey also has several different gadgets at his disposal. Many of these are locked behind an upgrade system, but I’ll touch more on that later. For instance, you can slam into the ground to create a large shock blast, or swing an enemy continuously around you. Inputting specific button combinations will allow you to perform various special moves. One for striking, one for web abilities, and lastly, one for dodging. Does whatever a spider can!Ĭombat in Spider-Man Remastered is based around a 3 buttons system. Don’t get me wrong though, I still thoroughly enjoyed Peter’s character progression, and the voice actor portrayal of him was beyond excellent. Why they didn’t decide to cut the filler sections out and simply play the cutscenes is beyond me. Once the cutscene has transpired, the game instantly places you back in control of Spider-Man. Why? Well, 50% of these sequences boil down to finding an NPC to trigger a cutscene. But in practice, it’s largely slow, boring and pointless. In theory, this might seem like a great idea. Certain gameplay sequences involve you controlling Peter to explore locations like Aunt May’s shelter, or Dr.

Yet, the way this has been implemented into the game is, mostly, less than ideal. Narratively, this helps humanise Peter, making you root for his success. – We get to explore his career and personal relationships, including how difficult it is to balance it all alongside his alter ego.

– Yes, I know there are other iterations of the Webhead, but let’s disregard those for now. Of course, there is no Spider-Man without Peter Parker himself.

Not quite on the level of Infinity War or Guardians of the Galaxy 1, but captivating enough that you’ll want to see it through to the end. The narrative rivals much of what you’d see in the Marvel Cinematic Universe.